Review by Reader Views

Reviewed by Tyler R. Tichelaar for Reader Views (8/09)

Kathleen Cunningham Guler has completed the “Macsen’s Treasure Series” with the publication of the fourth and final novel, “A Land Beyond Ravens.” Although I am an avid enthusiast of the Arthurian legend, somehow I missed the first three volumes, but this final volume can be read completely by itself without the reader being at all lost. Guler knows how to provide just enough pertinent information from past volumes for the reader without long summaries. Instead, the reader is continually in the thoughts of the two main characters, Marcus and Claerwen, so that the story is told naturally and effectively.

Marcus and Claerwen are a remarkable couple. They are completely Guler’s invention and do not appear in the traditional versions of the Arthurian legend. But Guler has provided herself with a powerful step into the legend without another retelling of it by focusing on characters somewhat on the fringes of the main storyline to bring alive what life was like in fifth-century Britain. Uther, Arthur, Morgaine, and Merlin are on the fringes of Guler’s novel, appearing briefly when necessary, but Marcus and Claerwen are the central characters. Marcus is a spy working for King Uther in various functions while his wife Claerwen is gifted with “fire in the head”—the ability to see the future, although not always clearly. Claerwen has also been involved in taking Uther’s daughter Morgaine to Avalon as a child to protect her, and she is significant, as is Marcus, in the future quest for the Grail.

The story takes place over the course of just a couple of years as King Uther Pendragon grows older, and as Arthur, who has been hidden away all these years, is about to become acknowledged as Uther’s son and take over the throne. During this time, Marcus is involved in several intrigues that range from dealing with the difficult minor king Cadwallon to the Christian Church’s increasing power in Britain. When Claerwen’s sister, Drysi, and a monk, Gwion, show up at Marcus’ home, additional complications will ensue for the main couple.
As a lover of the Arthurian legend, I was impressed that Guler does not settle for sword and sorcery, thrills, and a simple retelling of the legend. She has striven to be very historically accurate—as much as possible considering fifth-century Britain remains shrouded in mystery as to what really happened. She is faithful to the Welsh and Celtic names, customs, and beliefs of the time as much as possible, and although the items of Macsen’s Treasure are her own invention, the idea hearkens back to the Welsh tradition of the Thirteen Treasures of Britain. The atmosphere of the novel is somewhat dark, but also extremely realistic and authentic. The characters are real, their motivations reasonable, and nowhere were there bizarre or unbelievable plot twists. “A Land Beyond Ravens” is one of the most historically realistic Arthurian novels ever written, a thoroughly mature work that belongs beside such classic Arthurian novels as Rosemary Sutcliffe’s “Sword at Sunset” and Mary Stewart’s “Merlin Trilogy.”

Above all, what I enjoyed about this novel, and would have enjoyed even if it were not Arthurian, was to read about the relationship between Marcus and Claerwen. I am no fan of romance, but this novel went beyond romance to creating a beautiful and realistic portrait of love between a husband and wife, a love that has developed over many years. The scenes between them are tender, never filled with eroticism to entertain the reader, but simply heartfelt. Claerwen is deeply in love with her husband, constantly aware of his masculinity, and Marcus is good, kind, protective and loyal to his wife. It is rare that a married couple is depicted so perfectly in fiction. It is the kind of relationship that makes a reader envious and satisfied at the same time.

My only complaint is that this series has ended. Among the more than one hundred Arthurian novels I have read, the “A Land Beyond Ravens” is among the dozen or so most deserving to become classics of the genre. I will console myself by reading the first three novels in the series and hoping Guler considers writing more.

Review by US Review of Books

Reviewed by Peter Fitzpatrick

"Our people belong to this land; the land is part of us. We don't keep it, we hold it in trust, because it lives, it takes care of us."

Do you want to read a new interpretation of the Arthurian cycle? This fourth book in the series by Guler provides just that, in spades. It takes place in the late 480's, when High King of the Celts, Uther Pendragon, is nearing death. Celtic Britain is in danger of a bloody civil war if his son Arthur does not emerge as a strong leader. Machinations, both military and spiritual, unfold in fast-paced plotting that leads to a resolution of this drama that perhaps also raises the question: Do the tales of the Round Table and good King Arthur serve as emblems of a lost Golden Age—an age when exploitation of our world and warfare were not so prevalent? Well-drawn characters and an engrossing theme keep the pages turning.

Guler draws a world-picture of the ancient Celtic society through two main characters, Marcus ap Iowerth, master spy for Uther Pendragon, and his wife, Druidic seeress Claerwen. They evoke the rhythms of speech and patterns of thought of the 5th century world of warlords, druids, and magic without being overly ornamental or stylized. Marcus throws himself into action hindering attempts by Arthur's rivals from grabbing power for themselves or Rome. Meanwhile Claerwen battles internally to understand the overpowering visions that overwhelm her with a sense of foreboding. Together, they help illustrate the thoroughly pagan sources of the Arthurian mythos, one that modern research affirms as being the true source of the stories. Guler's imaginative and dynamic retelling helps fill a gap in the corpus of Holy Grail fiction, one where the holistic and life-affirming beliefs of Druidism are given a thoughtful and compelling voice.

http://www.theusreview.com/reviews/Land-Guler.html